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  • The Minimal Cost of Artistic Failure

    By Mark Sheerin | May 31, 2012 | 0 comments

    Damien Hirst's latest show of paintings has provoked an outcry from some quarters. But even if his technical abilities are said to falter, Hirst has done a service to painting. Could it the real issue be the YBA's disregard for critical opinion?

  • Stupidity Rules for Creative Professionals

    By Jeffrey Davis | May 30, 2012 | 0 comments

    Productive stupidity can lure us to extraordinary productivity.

  • Photos & Memories

    By Mike LaBossiere | May 29, 2012 | 0 comments

    An examination of physical photos and digital images in the context of memories.

  • Easily Create Hundreds of Ideas at Will

    By Michael Michalko | May 28, 2012 | 0 comments

    A creative thinking technique that will generate hundreds of ideas almost involuntarily.

  • The Odd Arithmetic Puzzle

    By Barry R. Clarke | May 27, 2012 | 0 comments

    This odd arithmetic, demands a cunning trick!

  • 2012 International Twin Congress and More on Fraternal Twins

    By Nancy L. Segal | May 26, 2012 | 0 comments

    Recent events from the 2012 International Twin Congress are reviewed; new findings on fraternal twins are presented.

  • Dancing on Ice Floes

    By Lawrence E. McCullough | May 25, 2012 | 0 comments

    Survival strategies for artists in the Atlas Shrugged era of public arts funding.

  • Inspiration After Hours in Museums at Night 2012

    By Mark Sheerin | May 24, 2012 | 0 comments

    A report on the Europe-wide phenomenon of Museums at Night. Can there be a better way to spend an evening than imbibing knowledge at your local museum or art gallery?

  • Persuasion and the Brain

    By Milena Z. Fisher, Ph.D. | May 23, 2012 | 0 comments

    There’s just something about the brain that captures our fascination and willingness to believe...

  • Why Leaders Should Encourage Creative Risks

    By David Burkus | May 22, 2012 | 0 comments

    Research suggests that psychological safety and the willingness to take risks are potent antecedents to creative insight.

    •  1 2 3 >  Last ›
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